Bibliography

  • Martin, Meredith. The Rise and Fall of Meter: Poetry and English National Culture, 1880-1920
  • Martin, Meredith. “’Imperfectly Civilized’: Ballads, Nations, and Histories of Form” ELH, 82.2, 345-363.
  • Martin, Meredith. Entries on “Robert Bridges” (3,500 words)  “Prosody” (3,500 words) in The Encyclopedia of Victorian Literature  (Wiley-Blackwell), edited by Dino F. Felluga, Pamela K. Gilbert, and Linda K. Hughes.
  • Martin, Meredith. “Georgian Poetry and the “Genteel’ Tradition,” with Erin Kappeler, in A Companion to Modernist Poetry  (London: Wiley-Blackwell), edited by David Chinitz and Gail Macdonald(University of Southampton) with Erin Kappeler. 197-208.
  • Martin, Meredith. “Alice Meynell” in The Oxford Handbook of Victorian Poetry, (Oxford: Oxford UP, 2013) edited by Matthew Bevis, 579-590.
  • Martin, Meredith. “Was there a Decadent Metre at the Fin de Siècle?” in Decadent Poetics  (New York: Palgrave Macmillan, 2013), edited by Jason David Hall and Alex Murray, 46-64.
  • Martin, Meredith. “Rupert Brooke’s Ambivalent Mourning, Ezra Pound’s Anticipatory Nostalgia” in Modernism and Nostalgia (New York: Palgrave Macmillan, 2013) edited by Tammy Clewall 183-197.
  • Martin, Meredith. “Transvictorian: Poetics, Translation, English” Blackwell’s Literature Compass edited by  Reginia  Gagnier (Exeter), 9.5 (380-386)
  • Martin, Meredith. “Victorian Prosody: Measuring the Field,” Victorian Poetry special issue on Victorian prosody, 49.2, Summer 2011 (149-160).
  • Martin, Meredith. “Hopkins’s Prosody,” Hopkins Quarterly special issue on Gerard Manley Hopkins’s Prosody, 38.1-2, Winter-Spring 2011 (1-30).
  • Martin, Meredith. “Gerard Manley Hopkins and the Stigma of Meter,” Victorian Studies 50.2, Winter 2008   (243-253)
  • Martin, Meredith. “Picturing Rhythm” in Critical Rhythms (Fordham UP) edited by Jonathan Culler and Benjamin Glaser.