“Walter Pater, Film Theorist,” in Victorian Aesthetic Conditions: Pater Across the Arts, ed. Elicia Clements and Lesley J. Higgins (Palgrave Macmillan, 2010): 181-205.
Dickinson Unbound: Paper, Process, Poetics (Oxford University Press, 2012).
A History of Nineteenth-Century American Women’s Poetry. Co-edited with Jennifer Putzi. (Cambridge University Press, 2016).
Imagined Homelands: British Poetry in the Colonies (Johns Hopkins University Press, 2017).
“Voice Inverse.” Victorian Poetry 42.1 (spring 2004): 43-59.
“ ‘What is Historical Poetics?’ ” Modern Language Quarterly 77.1 (Winter 2016): 13-40.
“What is a Ballad? Reading for Genre, Format, and Medium,” forthcoming in Nineteenth-Century Literature, 70:2 (September 2016).
“Dickinson Undone,” Raritan (Spring, 2005), Vol. XXIV, Number 4, 128-148.
“Longfellow in His Time,” Chapter 11 of the Cambridge History of American Poetry, ed. Alfred Bendixon and Stephen Burt (Cambridge: Cambridge University Press, 2015)
“The Function of Criticism at the Present Time,” Los Angeles Review of Books, April, 2015
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“American Romanticism, Again,” Studies in Romanticism 57.1 (September 2016)
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The Lyric Theory Reader
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Dickinson’s Misery: A Theory of Lyric Reading
“Emma Lazarus and the Golem of Liberty,” American Literary History 18.1 (2006), 1-28; expanded version in The Traffic in Poems: Nineteenth-Century Poetry and Transatlantic Exchange, ed. Meredith McGill (Rutgers University Press, 2008), 97-122