Subjects

Bibliography

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  • Kappeler, Erin. “The Georgian Poets and the Genteel Tradition” (with Meredith Martin). A Companion to Modernist Poetry. Ed. David E. Chinitz and Gail McDonald. Chichester: Wiley-Blackwell, 2014. 199-208.
  • Kappeler, Erin. “Constructing Walt Whitman: Literary History and Histories of Rhythm.” Critical Rhythm. Eds. Jonathan Culler and Ben Glaser. Forthcoming from Fordham University Press.
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  • Kappeler, Erin. "Four Approaches to Teaching Poetry (Review)," College English, vol. 84, no. 3, 2022, pp. 291–300.
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  • Lootens, Tricia. “Hemans and Home: Victorianism, Feminine ‘Internal Enemies,’ and the Domestication of National Identity.” In Victorian Women Poets: A Critical Reader, ed. Angela Leighton. Oxford: Blackwell, 1996.
  • Lootens, Tricia. “Hemans and Home: Victorianism, Feminine ‘Internal Enemies,’ and the Domestication of National Identity.” PMLA 102 (March 1994).
  • Martin, Meredith. The Rise and Fall of Meter: Poetry and English National Culture, 1880-1920
  • Martin, Meredith. “’Imperfectly Civilized’: Ballads, Nations, and Histories of Form” ELH, 82.2, 345-363.
  • Martin, Meredith. Entries on “Robert Bridges” (3,500 words)  “Prosody” (3,500 words) in The Encyclopedia of Victorian Literature  (Wiley-Blackwell), edited by Dino F. Felluga, Pamela K. Gilbert, and Linda K. Hughes.
  • Martin, Meredith. “Georgian Poetry and the “Genteel’ Tradition,” with Erin Kappeler, in A Companion to Modernist Poetry  (London: Wiley-Blackwell), edited by David Chinitz and Gail Macdonald(University of Southampton) with Erin Kappeler. 197-208.
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  • Martin, Meredith. “Was there a Decadent Metre at the Fin de Siècle?” in Decadent Poetics  (New York: Palgrave Macmillan, 2013), edited by Jason David Hall and Alex Murray, 46-64.
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  • Martin, Meredith. “Picturing Rhythm” in Critical Rhythms (Fordham UP) edited by Jonathan Culler and Benjamin Glaser.
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  • McGill, Meredith. “The Poetry of Slavery,” in Ezra Tawil, ed. Cambridge Companion to Slavery in American Literature (New York: Cambridge University Press, 2016), 115-136.
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  • McGill, Meredith. “Common Places: Poetry, Illocality, and Temporal Dislocation in Thoreau’s A Week on the Concord and Merrimack Rivers,” in American Literary History (Spring 2007) 357-74.
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  • Prins, Yopie. Ladies’ Greek: Victorian Translations of Tragedy
  • Prins, Yopie. The Lyric Theory Reader
  • Prins, Yopie. “Sapphic Stanzas: How can we read the rhythm?” In Critical Rhythm, ed. Benjamin Glaser and Jonathan Culler (New York: Fordham University Press, 2018).
  • Prins, Yopie. “ ‘What is Historical Poetics?’ ” Modern Language Quarterly 77.1 (Winter 2016): 13-40.
  • Prins, Yopie. “Metrical Discipline: Algernon Swinburne on ‘The Flogging Block’.” In Algernon Charles Swinburne: Unofficial Laureate, ed. Catherine Maxwell and Stefano Evangelista (Manchester: Manchester University Press, 2013): 95-124.
  • Prins, Yopie. “Poetess.” In The New Princeton Encyclopedia of Poetry and Poetics, ed. Roland Greene et al (Princeton: Princeton University Press, 2012): 1051-54.
  • Prins, Yopie. “‘Break, Break, Break’ into Song.” In Meter Matters: Verse Cultures of the Long Nineteenth Century, ed. Jason Hall (Columbus: Ohio University Press, 2011): 105-134.
  • Prins, Yopie. “Historical Poetics, Dysprosody, and the Science of English Verse.” PMLA 123.1 (January 2008): 229-34.
  • Prins, Yopie. “Robert Browning, Transported by Meter.” In The Traffic in Poems: Nineteenth-Century Poetry and Transatlantic Exchange, ed. Meredith McGill (New Brunswick: Rutgers University Press, 2007): 205-30.
  • Prins, Yopie. “Metrical Translation: Nineteenth-Century Homers and the Hexameter Mania.” In Nation, Language and the Ethics of Translation, ed. Sandra Bermann and Michael Wood. (Princeton: Princeton University Press, 2005): 229-56.
  • Prins, Yopie. “Patmore’s Law, Meynell’s Rhythm.” In The Fin-de-Siecle Poem, ed. Joseph Bristow (Athens: Ohio State University Press, 2005): 261-84.
  • Prins, Yopie. “Sappho Recomposed: A Song Cycle by Granville and Helen Bantock.” In The Figure of Music in Nineteenth-Century British Poetry, ed. Phyllis Weliver (Ashgate Press, 2005): 230-58.
  • Prins, Yopie. “Voice Inverse.” Victorian Poetry 42.1 (spring 2004): 43-59.
  • Prins, Yopie. “Victorian Meters.” In The Cambridge Companion to Victorian Poetry, ed. Joseph Bristow (Cambridge: Cambridge University Press, 2000): 89-113.
  • Prins, Yopie. “Lyrical Studies” (with Virginia Jackson), Victorian Literature and Culture 27:2 (Fall 1999): 521-30.
  • Rudy, Jason. Imagined Homelands: British Poetry in the Colonies (Johns Hopkins University Press, 2017).
  • Rudy, Jason. “Colonial and Imperial Writing.” Written with Mary Ellis Gibson, The Cambridge Companion to Victorian Women’s Writing, ed. Linda Peterson (Cambridge University Press, 2015).
  • Rudy, Jason. “Floating Worlds: Émigré Poetry and British Culture,” ELH 81 (Spring 2014), 325-50.
  • Rudy, Jason. “Manifest Prosody,” Victorian Poetry 49 (Summer 2011; special issue on Victorian Prosody, ed. Meredith Martin and Yisrael Levin), 253-66.
  • Rudy, Jason. Electric Meters: British Physiological Poetics (Ohio University Press, 2009).
  • Rudy, Jason. “Hemans’ Passion,” Studies in Romanticism 45 (Winter 2006), 543-62.
  • Rudy, Jason. “Rhythmic Intimacy, Spasmodic Epistemology,” Victorian Poetry 42 (Winter 2004; special issue on Spasmodic Poetry and Poetics), 451-72.
  • Rudy, Jason.

    “Australia to Paraguay: Race, Class, and Poetry in a South American Colony," with Aaron Bartlett, Lindsey O’Neil, and Justin Thompson; in Worlding the South: Nineteenth-Century Literary Culture and the Southern British Colonies, ed. Sarah Comyn and Porcha Fermanis (Manchester University Press 2021): 139-58.

  • Rudy, Jason.

    “Beyond Universalisms: Individuation, Race, and Sentiment in Colonial New South Wales," in Eliza Hamilton Dunlop: New Critical Essays, ed. Anna Johnston and Elizabeth Webby (Sydney University Press 2021): 93-104.

  • Rudy, Jason.

    “Settled: Dorrit Down Under," Nineteenth-Century Literature 75.2 (September 2020), 184-206.

  • Rudy, Jason.

    Broadview Anthology of British Literature: Volume 5, The Victorian Era, 3rd edition. General Editor. Broadview Press, 2021

  • Socarides, Alexandra. The Charles Brockden Brown Electronic Archive and Scholarly Edition. Volume 7: Poetry. Co-edited with Michael Cohen. Gen. eds. Philip Barnard and Mark Kamrath. (Bucknell University Press, forthcoming 2018).
  • Socarides, Alexandra. “Collaborative Dickinson.” The New Dickinson. (Cambridge University Press, forthcoming 2018).
  • Socarides, Alexandra. “The Poetess at Work.” Cambridge Companion to the Literature of the American Renaissance. Ed. Christopher Phillips. Cambridge University Press (forthcoming 2017).
  • Socarides, Alexandra. “Consuming Dickinson.” Legacy: A Journal of American Women Writers (forthcoming 2017)
  • Socarides, Alexandra. A History of Nineteenth-Century American Women’s Poetry. Co-edited with Jennifer Putzi. (Cambridge University Press, 2016).
  • Socarides, Alexandra. “Introduction: Making History: Thinking about Nineteenth-Century American Women’s Poetry,” A History of Nineteenth-Century American Women’s Poetry. Eds. Jennifer Putzi and Alexandra Socarides. (Cambridge University Press, 2016).
  • Socarides, Alexandra. “Making and Unmaking a Canon: American Women’s Poetry and the Nineteenth-Century Anthology,” A History of Nineteenth-Century American Women’s Poetry. Eds. Jennifer Putzi and Alexandra Socarides. (Cambridge University Press, 2016).
  • Socarides, Alexandra. “What Happens When We Don’t Read Ballads Closely Enough: The Cautionary Tale of the American Woman Poet and the Ballad. Nineteenth-Century Literature (Fall 2016).
  • Socarides, Alexandra. “Managing Multiple Contexts: Dickinson, Genre, and the Circulation of Fascicle 1,” Dickinson's Fascicles: A Spectrum of Possibilities. Eds. Paul Crumbley and Eleanor Heginbotham. Ohio State University Press (2014): 150-168.
  • Socarides, Alexandra. “Editorial History II: 1955 to the Present,” Dickinson in Context. Ed. Eliza Richards. Cambridge University Press (2013): 282-291.
  • Socarides, Alexandra. Dickinson Unbound: Paper, Process, Poetics (Oxford University Press, 2012).
  • Socarides, Alexandra. “The Poetics of Interruption: Dickinson, Death, and the Fascicles,” A Companion to Emily Dickinson. Eds. Mary Loeffelholz and Martha Nell Smith. Blackwell Publishing (2008): 309-333.
  • Socarides, Alexandra. “Rethinking the Fascicles: Dickinson’s Writing, Copying, and Binding Practices,” Emily Dickinson Journal vol. 15, no. 2 (Fall 2006): 61-8.7
  • Williams, Carolyn. “Parodies of the Pre-Raphaelite Ballad Refrain,” Nineteenth-Century Literature vol. 71 no. 2 (September 2016): 227-55.
  • Williams, Carolyn. “Textual Time Zones and Figures of Relief in Marius the Epicurean,” JPRS: Journal of Pre-Raphaelite Studies 25 (Fall 2016): 53-72.
  • Williams, Carolyn. “Melodrama,” in The New Cambridge History of English Literature: The Victorian Period, ed. Kate Flint (Cambridge University Press, 2012): 193-219.
  • Williams, Carolyn. Gilbert and Sullivan: Gender, Genre, Parody (Columbia, 2011)
  • Williams, Carolyn. “The Gutter Effect in Eve Kosofsky Sedgwick’s A Dialogue on Love,” in Graphic Subjects, ed. Michael Chaney (Wisconsin, 2011): 195-99.
  • Williams, Carolyn. “Walter Pater, Film Theorist,” in Victorian Aesthetic Conditions: Pater Across the Arts, ed. Elicia Clements and Lesley J. Higgins (Palgrave Macmillan, 2010): 181-205.
  • Williams, Carolyn. “Parody and Poetic Tradition: Gilbert and Sullivan’s Patience,” Victorian Poetry vol. 46 no.4 (Winter 2008): 375-403.
  • Williams, Carolyn. "Moving Pictures: George Eliot and Melodrama," in Compassion: The Culture and Politics of an Emotion, ed. Lauren Berlant (Routledge, 2004): 105-144.
  • Williams, Carolyn. “Pater’s Impressionism and the Form of Historical Revival,” in Knowing the Past: Victorian Literature and Culture ed. Suzy Anger (Cornell, 2001): 77-99.
  • Williams, Carolyn. "'Genre' and 'Discourse' in Victorian Cultural Studies," Victorian Literature and Culture, vol. 27, no. 2 (1999): 517-520.
  • Williams, Carolyn. “Tableaux and Melodramatic Realism,” English Literature: Theories, Interpretations, Contexts, vol. 6 (December 2019), pp. 101-24.
  • Williams, Carolyn. “Keyword: Melodrama,” Victorian Literature and Culture 46.3/4 (Fall/Winter, 2018), 769-73.
  • Williams, Carolyn. “Melodrama,” in Dickens and the Arts, eds. Juliet John and Claire Wood (Edinburgh University Press, 8350 words, forthcoming 2021).
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    1. The Cambridge Companion to English Melodrama (Cambridge UP, 2018), ed. and introduction (pp. 1-9).
  • Williams, Carolyn. “Melodrama and the Realist Novel,” in The Cambridge Companion to English Melodrama (Cambridge UP, 2018), pp. 209-23.