A History of Nineteenth-Century American Women’s Poetry. Co-edited with Jennifer Putzi. (Cambridge University Press, 2016).
“Rhythmic Intimacy, Spasmodic Epistemology,” Victorian Poetry 42 (Winter 2004; special issue on Spasmodic Poetry and Poetics), 451-72.
“Hemans’ Passion,” Studies in Romanticism 45 (Winter 2006), 543-62.
Electric Meters: British Physiological Poetics (Ohio University Press, 2009).
“Manifest Prosody,” Victorian Poetry 49 (Summer 2011; special issue on Victorian Prosody, ed. Meredith Martin and Yisrael Levin), 253-66.
“Floating Worlds: Émigré Poetry and British Culture,” ELH 81 (Spring 2014), 325-50.
Imagined Homelands: British Poetry in the Colonies (Johns Hopkins University Press, 2017).
“Victorian Meters.” In The Cambridge Companion to Victorian Poetry, ed. Joseph Bristow (Cambridge: Cambridge University Press, 2000): 89-113.
“Voice Inverse.” Victorian Poetry 42.1 (spring 2004): 43-59.
“Sappho Recomposed: A Song Cycle by Granville and Helen Bantock.” In The Figure of Music in Nineteenth-Century British Poetry, ed. Phyllis Weliver (Ashgate Press, 2005): 230-58.
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“Metrical Translation: Nineteenth-Century Homers and the Hexameter Mania.” In Nation, Language and the Ethics of Translation, ed. Sandra Bermann and Michael Wood. (Princeton: Princeton University Press, 2005): 229-56.
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“Historical Poetics, Dysprosody, and the Science of English Verse.” PMLA 123.1 (January 2008): 229-34.
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“Metrical Discipline: Algernon Swinburne on ‘The Flogging Block’.” In Algernon Charles Swinburne: Unofficial Laureate, ed. Catherine Maxwell and Stefano Evangelista (Manchester: Manchester University Press, 2013): 95-124.
https://www.historicalpoetics.com/gay-dating-sites-for-14-year-olds/
“Sapphic Stanzas: How can we read the rhythm?” In Critical Rhythm, ed. Benjamin Glaser and Jonathan Culler (New York: Fordham University Press, 2018).
Ladies’ Greek: Victorian Translations of Tragedy
Victorian Sappho
“Gerard Manley Hopkins and the Stigma of Meter,” Victorian Studies 50.2, Winter 2008 (243-253).
“Hopkins’s Prosody,” Hopkins Quarterly special issue on Gerard Manley Hopkins’s Prosody, 38.1-2, Winter-Spring 2011 (1-30).
“Victorian Prosody: Measuring the Field,” Victorian Poetry special issue on Victorian prosody, 49.2, Summer 2011 (149-160).
Entries on “Robert Bridges” (3,500 words) “Prosody” (3,500 words) in The Encyclopedia of Victorian Literature (Wiley-Blackwell), edited by Dino F. Felluga, Pamela K. Gilbert, and Linda K. Hughes.
“’Imperfectly Civilized’: Ballads, Nations, and Histories of Form” ELH, 82.2, 345-363.
The Rise and Fall of Meter: Poetry and English National Culture, 1880-1920
“Trebled Beauty: William Morris’s Terza Rima,” Victorian Studies 53.3 (Spring 2011): 506-517
“Elizabeth Barrett Browning’s Historiographical Poetics,” MLQ 77.1 (Spring 2016): 81-104
“Victorian Pearl: Tennysonian Elegy and the Return of a Medieval Poem,” Victoriographies 6.3 (Fall 2016): 238-255
“Victorian Poetry and Form.” Victorian Literature: Criticism and Debates, eds. Lee Behlman and Anne Longmuir. Routledge, 2015: 37-46.
“Constructing Walt Whitman: Literary History and Histories of Rhythm.” Critical Rhythm. Eds. Jonathan Culler and Ben Glaser. Forthcoming from Fordham University Press.
“Transatlantic Bryant,” Introduction, special issue of Victorian Poetry on American Victorian Poetry 43:2 (Summer 2005).
“Bryant’s Romanticism,” in The Traffic in Poems: Nineteenth-Century Trans-Atlantic Poetry, ed. Meredith McGill (Rutgers University Press, 2008).
“Longfellow in His Time,” Chapter 11 of the Cambridge History of American Poetry, ed. Alfred Bendixon and Stephen Burt (Cambridge: Cambridge University Press, 2015)
“American Victorian Poetry,” The Encyclopedia of Victorian Literature, ed. Felluga et al (London: Wiley Blackwell, 2015)
“The Cadence of Consent: Francis Barton Gummere, Lyric Rhythm, and White Poetics,” forthcoming in Critical Rhythm, ed. Jonathan Culler and Ben Glaser (Fordham UP)
“Specters of the Ballad,” Nineteenth-Century Literature, 70:2 (September 2016).
On Periodization
Dickinson’s Misery: A Theory of Lyric Reading
“Approaches to Character in Browning and Tennyson: Two Examples of Metrical Style.” Language and Style (1982): 34-51.
American Elegy: The Poetry of Mourning from the Puritans to Whitman (University of Minnesota Press, 2007)
“Stephen Crane’s Refrain,” ESQ: A Journal of the American Renaissance 54 (2008), 33-53; rpt. in American Literature’s Aesthetic Dimensions, eds. Christopher Looby and Cindy Weinstein (Columbia University Press, 2012), 73-90
“Slavery and Its Metrics,” in The Cambridge Companion to Nineteenth-Century American Poetry, ed. Kerry Larson (Cambridge University Press, 2011), 94-112
History and the Prism of Art: Browning’s Poetic Experiments. Columbus: Ohio State University Press, 1987. 341 pp.