“Parody and Poetic Tradition: Gilbert and Sullivan’s Patience,” Victorian Poetry vol. 46 no.4 (Winter 2008): 375-403.
Gilbert and Sullivan: Gender, Genre, Parody (Columbia, 2011)
“Melodrama,” in The New Cambridge History of English Literature: The Victorian Period, ed. Kate Flint (Cambridge University Press, 2012): 193-219.
A History of Nineteenth-Century American Women’s Poetry. Co-edited with Jennifer Putzi. (Cambridge University Press, 2016).
“Historical Poetics, Dysprosody, and the Science of English Verse.” PMLA 123.1 (January 2008): 229-34.
“‘Break, Break, Break’ into Song.” In Meter Matters: Verse Cultures of the Long Nineteenth Century, ed. Jason Hall (Columbus: Ohio University Press, 2011): 105-134.
“Sapphic Stanzas: How can we read the rhythm?” In Critical Rhythm, ed. Benjamin Glaser and Jonathan Culler (New York: Fordham University Press, 2018).
Ladies’ Greek: Victorian Translations of Tragedy
“Frances Ellen Watkins Harper and the Circuits of Abolitionist Poetry,” in Lara Langer Cohen and Jordan Stein, eds., Early African American Print Culture. (Philadelphia: University of Pennsylvania Press, 2012), 53-74.
“Aurora Leigh, A Life-Drama, and Victorian Poetic Autobiography.” SEL: Studies in English Literature 53.4 (Autumn 2013): 829-851.
“Longfellow in His Time,” Chapter 11 of the Cambridge History of American Poetry, ed. Alfred Bendixon and Stephen Burt (Cambridge: Cambridge University Press, 2015)
“The Cadence of Consent: Francis Barton Gummere, Lyric Rhythm, and White Poetics,” forthcoming in Critical Rhythm, ed. Jonathan Culler and Ben Glaser (Fordham UP)
On Periodization
“The Photographer’s Art and the Construction of History (Richard Howard).” Parnassus 13 (1986): 220-229.
“Introduction” and guest editor, “New Sitings and Soundings for Transnational Poetics,” J19: The Journal for 19th-Century Americanists 1.1 (2013)