A History of Nineteenth-Century American Women’s Poetry. Co-edited with Jennifer Putzi. (Cambridge University Press, 2016).
The Charles Brockden Brown Electronic Archive and Scholarly Edition. Volume 7: Poetry. Co-edited with Michael Cohen. Gen. eds. Philip Barnard and Mark Kamrath. (Bucknell University Press, forthcoming 2018).
“Rhythmic Intimacy, Spasmodic Epistemology,” Victorian Poetry 42 (Winter 2004; special issue on Spasmodic Poetry and Poetics), 451-72.
Electric Meters: British Physiological Poetics (Ohio University Press, 2009).
“Manifest Prosody,” Victorian Poetry 49 (Summer 2011; special issue on Victorian Prosody, ed. Meredith Martin and Yisrael Levin), 253-66.
Imagined Homelands: British Poetry in the Colonies (Johns Hopkins University Press, 2017).
“Metrical Translation: Nineteenth-Century Homers and the Hexameter Mania.” In Nation, Language and the Ethics of Translation, ed. Sandra Bermann and Michael Wood. (Princeton: Princeton University Press, 2005): 229-56.
“Poetess.” In The New Princeton Encyclopedia of Poetry and Poetics, ed. Roland Greene et al (Princeton: Princeton University Press, 2012): 1051-54.
“Common Places: Poetry, Illocality, and Temporal Dislocation in Thoreau’s A Week on the Concord and Merrimack Rivers,” in American Literary History (Spring 2007) 357-74.
Introduction, The Traffic in Poems: Nineteenth-Century Poetry and Transatlantic Exchange (New Brunswick: Rutgers University Press, 2008), 1-12.
“Walt Whitman and the Poetics of Reprinting,” in David Blake and Michael Robertson eds., Where the Future Becomes Present: Whitman and Leaves of Grass. (Iowa City: University of Iowa Press, 2008), 37-58.
“Genre and Nationality in Nineteenth-Century British and American Poetry,” with Scott Challener, Isaac Cowell, Bakary Diaby, Lauren Kimball, Michael Monescalchi, and Melissa Parrish, in Teaching Transatlanticism, Linda Hughes and Sarah Robbins, eds. (Edinburgh: Edinburgh University Press, 2015), 164-180.
“Picturing Rhythm” in Critical Rhythms (Fordham UP) edited by Jonathan Culler and Benjamin Glaser.
“Hopkins’s Prosody,” Hopkins Quarterly special issue on Gerard Manley Hopkins’s Prosody, 38.1-2, Winter-Spring 2011 (1-30).
“Victorian Prosody: Measuring the Field,” Victorian Poetry special issue on Victorian prosody, 49.2, Summer 2011 (149-160).
“Transvictorian: Poetics, Translation, English” Blackwell’s Literature Compass edited by Reginia Gagnier (Exeter), 9.5 (380-386)
“Georgian Poetry and the “Genteel’ Tradition,” with Erin Kappeler, in A Companion to Modernist Poetry (London: Wiley-Blackwell), edited by David Chinitz and Gail Macdonald(University of Southampton) with Erin Kappeler. 197-208.
“’Imperfectly Civilized’: Ballads, Nations, and Histories of Form” ELH, 82.2, 345-363.
The Rise and Fall of Meter: Poetry and English National Culture, 1880-1920
“Hemans and Home: Victorianism, Feminine ‘Internal Enemies,’ and the Domestication of National Identity.” PMLA 102 (March 1994).
“Hemans and Home: Victorianism, Feminine ‘Internal Enemies,’ and the Domestication of National Identity.” In Victorian Women Poets: A Critical Reader, ed. Angela Leighton. Oxford: Blackwell, 1996.
“Hemans and Her American Heirs.” In Women’s Poetry, Late Romantic to Late Victorian: Gender and Genre, 1830-1900, ed. Isobel Armstrong and Virginia Blain. St. Martins, 1999.
“Receiving the Legend, Rethinking the Writer: Letitia Landon and the Poetess Tradition.” In Romanticism and Women Poets: Opening the Doors of Reception, edited by Harriet Kramer Linkin and Stephen C. Behrendt. University Press of Kentucky, 1999.
“Victorian Poetry and Patriotism.” In The Cambridge Companion to Victorian Poetry. Ed. Joseph Bristow. Cambridge, 2000.
“Anna Jameson, Englishness, and the ‘Triste Plaisir’ of Italy.” 2003 Special Issue, Forum for Modern Language Studies, ed. Alison Chapman and Jane Stabler.
“Between Treasuries and the Web: Compendious Victorian Poetry Anthologies in Transition.” Victorian Studies 47 (Summer 2005).
“New Criticism and New Classrooms: Teaching Felicia Hemans.” European Romantic Review 17 (2006).
“Bengal, Britain, France: The Locations and Translations of Toru Dutt.” Victorian Literature and Culture 34 (2006).
“Publishing and Reading ‘Our EBB’: Editorial Pedagogy, Contemporary Culture, and ‘The Runaway Slave at Pilgrim’s Point.’” Victorian Poetry 44 (2006).
“States of Exile.” In The Traffic in Poems: Nineteenth-Century Poetry and Transatlantic Exchange. Ed. Meredith McGill. Rutgers University Press, 2008.
“The Locations and Dislocations of Toru and Aru Dutt.” In A History of Indian Poetry in English, ed. Rosinka Chaudhuri. Cambridge University Press, 2016.
Lost Saints: Silence, Gender, and Victorian Literary Canonization. University Press of Virginia, 1996.
The Political Poetess: Victorian Femininity, Race, and the Legacy of Separate Spheres. Princeton University Press, 2017.
Victorian Poets and the Changing Bible (University of Virginia Press, 2011)
“The Georgian Poets and the Genteel Tradition” (with Meredith Martin). A Companion to Modernist Poetry. Ed. David E. Chinitz and Gail McDonald. Chichester: Wiley-Blackwell, 2014. 199-208.
“Editing America: Nationalism and the New Poetry.” Modernism/modernity 21.4 (2014): 899-918.
“Transatlantic Bryant,” Introduction, special issue of Victorian Poetry on American Victorian Poetry 43:2 (Summer 2005).
“Bryant’s Romanticism,” in The Traffic in Poems: Nineteenth-Century Trans-Atlantic Poetry, ed. Meredith McGill (Rutgers University Press, 2008).
“Longfellow in His Time,” Chapter 11 of the Cambridge History of American Poetry, ed. Alfred Bendixon and Stephen Burt (Cambridge: Cambridge University Press, 2015)
“American Victorian Poetry,” The Encyclopedia of Victorian Literature, ed. Felluga et al (London: Wiley Blackwell, 2015)
“American Romanticism, Again,” Studies in Romanticism 57.1 (September 2016)
“Specters of the Ballad,” Nineteenth-Century Literature, 70:2 (September 2016).
The Lyric Theory Reader
On Periodization
Dickinson’s Misery: A Theory of Lyric Reading
*“Indian English Poetry.” The Encyclopedia of Victorian Literature. Edited by Dino Felluga, Pamela Gilbert and Linda Hughes. New York: Wiley-Blackwell, 2015. Pp. 775-782.
*“Poems of Mary Carshore: The Indian Legacy of L. E. L. and Tom Moore,” Victorians Institute Journal 32 (2004): 63-79.
*“Representing the Nation: Poetics, Landscape, and Empire in Nineteenth-Century Culture.” Victorian Literature and Culture (1999): 337-52.
Anglophone Poetry in Colonial India, 1780-1913: A Critical Anthology. Athens: Ohio University Press, 2011. 397 pp.
Indian Angles: English Verse in Colonial India from Jones to Tagore. Athens: Ohio University Press, 2011. 334 pp.
“E.C. Stedman and the Invention of Victorian Poetry.” Victorian Poetry 43.2 (2005): 165-89. Reprinted in Nineteenth-Century Poetry: Criticism and Debates, ed. Jonathan Herapath and Emma Mason (London: Routledge, 2015).
The Poetry of Charles Brockden Brown. Vol. 7 of The Collected Writings of Charles Brockden Brown. Gen. eds. Philip Barnard and Mark Kamrath. Bucknell: Bucknell University Press. Forthcoming 2018.
The Social Lives of Poems in Nineteenth-Century America. Philadelphia: University of Pennsylvania Press, 2015.
American Elegy: The Poetry of Mourning from the Puritans to Whitman (University of Minnesota Press, 2007)
“Emma Lazarus and the Golem of Liberty,” American Literary History 18.1 (2006), 1-28; expanded version in The Traffic in Poems: Nineteenth-Century Poetry and Transatlantic Exchange, ed. Meredith McGill (Rutgers University Press, 2008), 97-122
“Dickinson and the Exception,” A Companion to Emily Dickinson, eds. Mary Loeffelholz and Martha Nell Smith (Blackwell, 2008), 222-34
“American Constitutional Elegy,” The Oxford Handbook of the Elegy, ed. Karen Weisman (Oxford, 2010), 224-237
“Introduction” and guest editor, “New Sitings and Soundings for Transnational Poetics,” J19: The Journal for 19th-Century Americanists 1.1 (2013)