“Robert Browning, Transported by Meter.” In The Traffic in Poems: Nineteenth-Century Poetry and Transatlantic Exchange, ed. Meredith McGill (New Brunswick: Rutgers University Press, 2007): 205-30.
“Sapphic Stanzas: How can we read the rhythm?” In Critical Rhythm, ed. Benjamin Glaser and Jonathan Culler (New York: Fordham University Press, 2018).
Ladies’ Greek: Victorian Translations of Tragedy
Victorian Sappho
“Picturing Rhythm” in Critical Rhythms (Fordham UP) edited by Jonathan Culler and Benjamin Glaser.
“Rupert Brooke’s Ambivalent Mourning, Ezra Pound’s Anticipatory Nostalgia” in Modernism and Nostalgia (New York: Palgrave Macmillan, 2013) edited by Tammy Clewall 183-197.
“Georgian Poetry and the “Genteel’ Tradition,” with Erin Kappeler, in A Companion to Modernist Poetry (London: Wiley-Blackwell), edited by David Chinitz and Gail Macdonald(University of Southampton) with Erin Kappeler. 197-208.
Entries on “Robert Bridges” (3,500 words) “Prosody” (3,500 words) in The Encyclopedia of Victorian Literature (Wiley-Blackwell), edited by Dino F. Felluga, Pamela K. Gilbert, and Linda K. Hughes.
The Rise and Fall of Meter: Poetry and English National Culture, 1880-1920
Lost Saints: Silence, Gender, and Victorian Literary Canonization. University Press of Virginia, 1996.
The Political Poetess: Victorian Femininity, Race, and the Legacy of Separate Spheres. Princeton University Press, 2017.
“Constructing Walt Whitman: Literary History and Histories of Rhythm.” Critical Rhythm. Eds. Jonathan Culler and Ben Glaser. Forthcoming from Fordham University Press.
“The Georgian Poets and the Genteel Tradition” (with Meredith Martin). A Companion to Modernist Poetry. Ed. David E. Chinitz and Gail McDonald. Chichester: Wiley-Blackwell, 2014. 199-208.
“Editing America: Nationalism and the New Poetry.” Modernism/modernity 21.4 (2014): 899-918.
“Longfellow’s Tradition; or, Picture-Writing a Nation,” Modern Language Quarterly 59:4 (December 1998). 471-496.
“Transatlantic Bryant,” Introduction, special issue of Victorian Poetry on American Victorian Poetry 43:2 (Summer 2005).
“Who Reads Poetry?” in PMLA, vol. 123, no. 2, January, 2008, 181-187.
“Longfellow in His Time,” Chapter 11 of the Cambridge History of American Poetry, ed. Alfred Bendixon and Stephen Burt (Cambridge: Cambridge University Press, 2015)
“American Victorian Poetry,” The Encyclopedia of Victorian Literature, ed. Felluga et al (London: Wiley Blackwell, 2015)
“The Cadence of Consent: Francis Barton Gummere, Lyric Rhythm, and White Poetics,” forthcoming in Critical Rhythm, ed. Jonathan Culler and Ben Glaser (Fordham UP)
“American Romanticism, Again,” Studies in Romanticism 57.1 (September 2016)
“Specters of the Ballad,” Nineteenth-Century Literature, 70:2 (September 2016).
The Lyric Theory Reader
On Periodization
Dickinson’s Misery: A Theory of Lyric Reading
“Stephen Crane’s Refrain,” ESQ: A Journal of the American Renaissance 54 (2008), 33-53; rpt. in American Literature’s Aesthetic Dimensions, eds. Christopher Looby and Cindy Weinstein (Columbia University Press, 2012), 73-90
Epic Reinvented: Ezra Pound and the Victorians. Ithaca: Cornell University Press, 1995. 240 pp.