Dickinson Unbound: Paper, Process, Poetics (Oxford University Press, 2012).

“Introduction: Making History: Thinking about Nineteenth-Century American Women’s Poetry,” A History of Nineteenth-Century American Women’s Poetry. Eds. Jennifer Putzi and Alexandra Socarides. (Cambridge University Press, 2016).

“Robert Browning, Transported by Meter.” In The Traffic in Poems: Nineteenth-Century Poetry and Transatlantic Exchange, ed. Meredith McGill (New Brunswick: Rutgers University Press, 2007): 205-30.

“Sapphic Stanzas: How can we read the rhythm?” In Critical Rhythm, ed. Benjamin Glaser and Jonathan Culler (New York: Fordham University Press, 2018).

Ladies’ Greek: Victorian Translations of Tragedy

“What is a Ballad? Reading for Genre, Format, and Medium,” forthcoming in Nineteenth-Century Literature, 70:2 (September 2016).

“Gerard Manley Hopkins and the Stigma of Meter,” Victorian Studies 50.2, Winter 2008   (243-253). 

“Specters of the Ballad,” Nineteenth-Century Literature, 70:2 (September 2016).

The Lyric Theory Reader

On Periodization

dating military officers

“Alienating Language: A Poet’s Masque.” The Emily Dickinson Journal 23.1 (2014): 75-97.

The Social Lives of Poems in Nineteenth-Century America. Philadelphia: University of Pennsylvania Press, 2015.

“Emma Lazarus and the Golem of Liberty,” American Literary History 18.1 (2006), 1-28; expanded version in The Traffic in Poems: Nineteenth-Century Poetry and Transatlantic Exchange, ed. Meredith McGill (Rutgers University Press, 2008), 97-122