Dickinson Unbound: Paper, Process, Poetics (Oxford University Press, 2012).
“Introduction: Making History: Thinking about Nineteenth-Century American Women’s Poetry,” A History of Nineteenth-Century American Women’s Poetry. Eds. Jennifer Putzi and Alexandra Socarides. (Cambridge University Press, 2016).
“Robert Browning, Transported by Meter.” In The Traffic in Poems: Nineteenth-Century Poetry and Transatlantic Exchange, ed. Meredith McGill (New Brunswick: Rutgers University Press, 2007): 205-30.
“Sapphic Stanzas: How can we read the rhythm?” In Critical Rhythm, ed. Benjamin Glaser and Jonathan Culler (New York: Fordham University Press, 2018).
Ladies’ Greek: Victorian Translations of Tragedy
“What is a Ballad? Reading for Genre, Format, and Medium,” forthcoming in Nineteenth-Century Literature, 70:2 (September 2016).
“Gerard Manley Hopkins and the Stigma of Meter,” Victorian Studies 50.2, Winter 2008 (243-253).
“Specters of the Ballad,” Nineteenth-Century Literature, 70:2 (September 2016).
The Lyric Theory Reader
On Periodization
Dickinson’s Misery: A Theory of Lyric Reading
“Alienating Language: A Poet’s Masque.” The Emily Dickinson Journal 23.1 (2014): 75-97.
“Getting Generic: An Introduction.” Special issue on transatlantic balladry and historical poetics, Nineteenth-Century Literature 71.2 (2016): 47-55.
“Album Verse and the Poetics of Scribal Circulation.” A History of Nineteenth-Century American Women’s Poetry. Ed. Jennifer Putzi and Alexandra Socarides. Cambridge: Cambridge University Press, 2016: 68-86.
The Social Lives of Poems in Nineteenth-Century America. Philadelphia: University of Pennsylvania Press, 2015.
“Emma Lazarus and the Golem of Liberty,” American Literary History 18.1 (2006), 1-28; expanded version in The Traffic in Poems: Nineteenth-Century Poetry and Transatlantic Exchange, ed. Meredith McGill (Rutgers University Press, 2008), 97-122