“Rethinking the Fascicles: Dickinson’s Writing, Copying, and Binding Practices,” Emily Dickinson Journal vol. 15, no. 2 (Fall 2006): 61-8.7

“The Poetics of Interruption: Dickinson, Death, and the Fascicles,” A Companion to Emily Dickinson. Eds. Mary Loeffelholz and Martha Nell Smith. Blackwell Publishing (2008): 309-333.

Dickinson Unbound: Paper, Process, Poetics (Oxford University Press, 2012).

“Making and Unmaking a Canon: American Women’s Poetry and the Nineteenth-Century Anthology,” A History of Nineteenth-Century American Women’s Poetry. Eds. Jennifer Putzi and Alexandra Socarides. (Cambridge University Press, 2016).

A History of Nineteenth-Century American Women’s Poetry. Co-edited with Jennifer Putzi. (Cambridge University Press, 2016).

“Collaborative Dickinson.” The New Dickinson. (Cambridge University Press, forthcoming 2018).

“Hemans’ Passion,” Studies in Romanticism 45 (Winter 2006), 543-62.

Electric Meters: British Physiological Poetics (Ohio University Press, 2009).

Imagined Homelands: British Poetry in the Colonies (Johns Hopkins University Press, 2017).

“Lyrical Studies” (with Virginia Jackson), Victorian Literature and Culture 27:2 (Fall 1999): 521-30.

“Sappho Recomposed: A Song Cycle by Granville and Helen Bantock.” In The Figure of Music in Nineteenth-Century British Poetry, ed. Phyllis Weliver (Ashgate Press, 2005): 230-58.

“Robert Browning, Transported by Meter.” In The Traffic in Poems: Nineteenth-Century Poetry and Transatlantic Exchange, ed. Meredith McGill (New Brunswick: Rutgers University Press, 2007): 205-30.

“Historical Poetics, Dysprosody, and the Science of English Verse.” PMLA 123.1 (January 2008): 229-34.

“‘Break, Break, Break’ into Song.” In Meter Matters: Verse Cultures of the Long Nineteenth Century, ed. Jason Hall (Columbus: Ohio University Press, 2011): 105-134.

“ ‘What is Historical Poetics?’ ” Modern Language Quarterly 77.1 (Winter 2016): 13-40.

“Sapphic Stanzas: How can we read the rhythm?” In Critical Rhythm, ed. Benjamin Glaser and Jonathan Culler (New York: Fordham University Press, 2018).

The Lyric Theory Reader

Victorian Sappho

“Genre and Nationality in Nineteenth-Century British and American Poetry,” with Scott Challener, Isaac Cowell, Bakary Diaby, Lauren Kimball, Michael Monescalchi, and Melissa Parrish, in Teaching Transatlanticism, Linda Hughes and Sarah Robbins, eds. (Edinburgh: Edinburgh University Press, 2015), 164-180.

“Tirra-Lirrical Ballads: Source Hunting with the Lady of Shalott,” Victorian Poetry 54.4 (Winter 2016): 439-454

“Victorian Poetry and Form.” Victorian Literature: Criticism and Debates, eds. Lee Behlman and Anne Longmuir. Routledge, 2015: 37-46.

“The Dramatic Monologue.” The Blackwell Encyclopedia of Victorian Literature, eds. Dino Felluga, Pamela Gilbert, and Linda K. Hughes. Blackwell/Wiley, 2015: 474-479.

“Lyrical Studies” (with Yopie Prins), Victorian Literature and Culture 27:2 (Fall 1999). 521-530.

“Longfellow’s Tradition; or, Picture-Writing a Nation,” Modern Language Quarterly 59:4 (December 1998). 471-496.

“Dickinson Undone,” Raritan (Spring, 2005), Vol. XXIV, Number 4, 128-148.

“The Poetess and Nineteenth-Century American Women Poets,”  (with Eliza Rickards) Poetess Archive Journal (April 2007), Vol. 1 No. 1

“Transatlantic Bryant,” Introduction, special issue of Victorian Poetry on American Victorian Poetry 43:2 (Summer 2005).

“Bryant’s Romanticism,” in The Traffic in Poems: Nineteenth-Century Trans-Atlantic Poetry, ed. Meredith McGill (Rutgers University Press, 2008).

“Thinking Dickinson Thinking Poetry,” in The Blackwell Companion to Emily Dickinson, ed. Mary Loeffelholz and Martha Nell Smith (Blackwell Publishing, 2008).

“The Story of Boon; or, Parables of the Poetess,” in ESQ: A Journal of the American Renaissance (special issue on nineteenth-century American poetry, December, 2008).

“Who Reads Poetry?” in PMLA, vol. 123, no. 2, January, 2008, 181-187.

“Lyric,” entry for the new edition of The Princeton Encyclopedia of Poetry and Poetics. Roland Greene and Stephen Cushman, eds. (Princeton University Press, 2012).

“The Poet as Poetess,” for The Cambridge Companion to Nineteenth-Century American Poetry, ed. Kerry Larson (Cambridge: Cambridge University Press, 2011)

“Longfellow in His Time,” Chapter 11 of the Cambridge History of American Poetry, ed. Alfred Bendixon and Stephen Burt (Cambridge: Cambridge University Press, 2015)

“American Victorian Poetry,” The Encyclopedia of Victorian Literature, ed. Felluga et al (London: Wiley Blackwell, 2015)

“The Cadence of Consent: Francis Barton Gummere, Lyric Rhythm, and White Poetics,” forthcoming in Critical Rhythm, ed. Jonathan Culler and Ben Glaser (Fordham UP)

“American Romanticism, Again,” Studies in Romanticism 57.1 (September 2016)

“Specters of the Ballad,” Nineteenth-Century Literature, 70:2 (September 2016).

The Lyric Theory Reader

Dickinson’s Misery: A Theory of Lyric Reading

“Gender, Genre and Audience in Matthew Arnold’s Lyrics.”  In Gender and Discourse in Victorian Literature and Art. Ed. by Antony Harrison and Beverly Taylor. Chicago: Northern Illinois University Press, 1992, 30-48.

“One More Word on Browning’s ‘One Word More.’”  Studies in Browning and His Circle 12      (1984): 76-86.

“Stephen Crane’s Refrain,” ESQ: A Journal of the American Renaissance 54 (2008), 33-53; rpt. in American Literature’s Aesthetic Dimensions, eds. Christopher Looby and Cindy Weinstein (Columbia University Press, 2012), 73-90