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The Cambridge Companion to English Melodrama (Cambridge UP, 2018), ed. and introduction (pp. 1-9).

“Melodrama,” in Dickens and the Arts, eds. Juliet John and Claire Wood (Edinburgh University Press, 8350 words, forthcoming 2021).

“Keyword: Melodrama,” Victorian Literature and Culture 46.3/4 (Fall/Winter, 2018), 769-73.

“Tableaux and Melodramatic Realism,” English Literature: Theories, Interpretations, Contexts, vol. 6 (December 2019), pp. 101-24.

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“Moving Pictures: George Eliot and Melodrama,” in Compassion: The Culture and Politics of an Emotion, ed. Lauren Berlant (Routledge, 2004): 105-144.

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Gilbert and Sullivan: Gender, Genre, Parody (Columbia, 2011)

“Melodrama,” in The New Cambridge History of English Literature: The Victorian Period, ed. Kate Flint (Cambridge University Press, 2012): 193-219.

“Rethinking the Fascicles: Dickinson’s Writing, Copying, and Binding Practices,” Emily Dickinson Journal vol. 15, no. 2 (Fall 2006): 61-8.7

Dickinson Unbound: Paper, Process, Poetics (Oxford University Press, 2012).

“Editorial History II: 1955 to the Present,” Dickinson in Context. Ed. Eliza Richards. Cambridge University Press (2013): 282-291.

“Managing Multiple Contexts: Dickinson, Genre, and the Circulation of Fascicle 1,” Dickinson’s Fascicles: A Spectrum of Possibilities. Eds. Paul Crumbley and Eleanor Heginbotham. Ohio State University Press (2014): 150-168.

“Making and Unmaking a Canon: American Women’s Poetry and the Nineteenth-Century Anthology,” A History of Nineteenth-Century American Women’s Poetry. Eds. Jennifer Putzi and Alexandra Socarides. (Cambridge University Press, 2016).

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“Colonial and Imperial Writing.” Written with Mary Ellis Gibson, The Cambridge Companion to Victorian Women’s Writing, ed. Linda Peterson (Cambridge University Press, 2015).

Imagined Homelands: British Poetry in the Colonies (Johns Hopkins University Press, 2017).

“Lyrical Studies” (with Virginia Jackson), Victorian Literature and Culture 27:2 (Fall 1999): 521-30.

“Sappho Recomposed: A Song Cycle by Granville and Helen Bantock.” In The Figure of Music in Nineteenth-Century British Poetry, ed. Phyllis Weliver (Ashgate Press, 2005): 230-58.

“Patmore’s Law, Meynell’s Rhythm.” In The Fin-de-Siecle Poem, ed. Joseph Bristow (Athens: Ohio State University Press, 2005): 261-84.

“Poetess.” In The New Princeton Encyclopedia of Poetry and Poetics, ed. Roland Greene et al (Princeton: Princeton University Press, 2012): 1051-54.

“ ‘What is Historical Poetics?’ ” Modern Language Quarterly 77.1 (Winter 2016): 13-40.

The Lyric Theory Reader

Ladies’ Greek: Victorian Translations of Tragedy

Victorian Sappho

“Genre and Nationality in Nineteenth-Century British and American Poetry,” with Scott Challener, Isaac Cowell, Bakary Diaby, Lauren Kimball, Michael Monescalchi, and Melissa Parrish, in Teaching Transatlanticism, Linda Hughes and Sarah Robbins, eds. (Edinburgh: Edinburgh University Press, 2015), 164-180.

“The Poetry of Slavery,” in Ezra Tawil, ed. Cambridge Companion to Slavery in American Literature (New York: Cambridge University Press, 2016), 115-136.

“What is a Ballad? Reading for Genre, Format, and Medium,” forthcoming in Nineteenth-Century Literature, 70:2 (September 2016).

“Hemans and Home: Victorianism, Feminine ‘Internal Enemies,’ and the Domestication of National Identity.” PMLA 102 (March 1994).

“Hemans and Home: Victorianism, Feminine ‘Internal Enemies,’ and the Domestication of National Identity.” In Victorian Women Poets: A Critical Reader, ed. Angela Leighton. Oxford: Blackwell, 1996.

“Hemans and Her American Heirs.” In Women’s Poetry, Late Romantic to Late Victorian: Gender and Genre, 1830-1900, ed. Isobel Armstrong and Virginia Blain. St. Martins, 1999.  

“Receiving the Legend, Rethinking the Writer: Letitia Landon and the Poetess Tradition.” In Romanticism and Women Poets: Opening the Doors of Reception, edited by Harriet Kramer Linkin and Stephen C. Behrendt. University Press of Kentucky, 1999.

“Victorian Poetry and Patriotism.” In The Cambridge Companion to Victorian Poetry. Ed. Joseph Bristow. Cambridge, 2000.

“Anna Jameson, Englishness, and the ‘Triste Plaisir’ of Italy.” 2003 Special Issue, Forum for Modern Language Studies, ed. Alison Chapman and Jane Stabler.

“Between Treasuries and the Web: Compendious Victorian Poetry Anthologies in Transition.” Victorian Studies 47 (Summer 2005).

“New Criticism and New Classrooms: Teaching Felicia Hemans.” European Romantic Review 17 (2006).

“Bengal, Britain, France: The Locations and Translations of Toru Dutt.” Victorian Literature and Culture 34 (2006).

“Publishing and Reading ‘Our EBB’: Editorial Pedagogy, Contemporary Culture, and ‘The Runaway Slave at Pilgrim’s Point.’” Victorian Poetry 44 (2006).

“States of Exile.” In The Traffic in Poems: Nineteenth-Century Poetry and Transatlantic Exchange. Ed. Meredith McGill. Rutgers University Press, 2008.

Rudyard Kipling, Kim. A Longman Cultural Edition. Co-edited with Paula M. Krebs. Longman, 2011.

“The Locations and Dislocations of Toru and Aru Dutt.” In A History of Indian Poetry in English, ed. Rosinka Chaudhuri. Cambridge University Press, 2016.

Lost Saints: Silence, Gender, and Victorian Literary Canonization. University Press of Virginia, 1996.

The Political Poetess: Victorian Femininity, Race, and the Legacy of Separate Spheres. Princeton University Press, 2017.

“Victorian Pearl: Tennysonian Elegy and the Return of a Medieval Poem,” Victoriographies 6.3 (Fall 2016): 238-255

Victorian Poets and the Changing Bible (University of Virginia Press, 2011)

“Aurora Leigh, A Life-Drama, and Victorian Poetic Autobiography.” SEL: Studies in English Literature 53.4 (Autumn 2013): 829-851.

“The Dramatic Monologue.” The Blackwell Encyclopedia of Victorian Literature, eds. Dino Felluga, Pamela Gilbert, and Linda K. Hughes. Blackwell/Wiley, 2015: 474-479.

“Lyrical Studies” (with Yopie Prins), Victorian Literature and Culture 27:2 (Fall 1999). 521-530.

“Longfellow’s Tradition; or, Picture-Writing a Nation,” Modern Language Quarterly 59:4 (December 1998). 471-496.

“Poetry and Experience,” Raritan (Fall 2000), Vol. XX, Number 2., 126-135.

“Dickinson Undone,” Raritan (Spring, 2005), Vol. XXIV, Number 4, 128-148.

“The Poetess and Nineteenth-Century American Women Poets,”  (with Eliza Rickards) Poetess Archive Journal (April 2007), Vol. 1 No. 1

“Transatlantic Bryant,” Introduction, special issue of Victorian Poetry on American Victorian Poetry 43:2 (Summer 2005).

“Bryant’s Romanticism,” in The Traffic in Poems: Nineteenth-Century Trans-Atlantic Poetry, ed. Meredith McGill (Rutgers University Press, 2008).

“Thinking Dickinson Thinking Poetry,” in The Blackwell Companion to Emily Dickinson, ed. Mary Loeffelholz and Martha Nell Smith (Blackwell Publishing, 2008).

“The Story of Boon; or, Parables of the Poetess,” in ESQ: A Journal of the American Renaissance (special issue on nineteenth-century American poetry, December, 2008).

“Who Reads Poetry?” in PMLA, vol. 123, no. 2, January, 2008, 181-187.

“Lyric,” entry for the new edition of The Princeton Encyclopedia of Poetry and Poetics. Roland Greene and Stephen Cushman, eds. (Princeton University Press, 2012).

“The Poet as Poetess,” for The Cambridge Companion to Nineteenth-Century American Poetry, ed. Kerry Larson (Cambridge: Cambridge University Press, 2011)

“Longfellow in His Time,” Chapter 11 of the Cambridge History of American Poetry, ed. Alfred Bendixon and Stephen Burt (Cambridge: Cambridge University Press, 2015)

“American Victorian Poetry,” The Encyclopedia of Victorian Literature, ed. Felluga et al (London: Wiley Blackwell, 2015)

“The Function of Criticism at the Present Time,” Los Angeles Review of Books, April, 2015

“The Cadence of Consent: Francis Barton Gummere, Lyric Rhythm, and White Poetics,” forthcoming in Critical Rhythm, ed. Jonathan Culler and Ben Glaser (Fordham UP)

“American Romanticism, Again,” Studies in Romanticism 57.1 (September 2016)

“Specters of the Ballad,” Nineteenth-Century Literature, 70:2 (September 2016).

The Lyric Theory Reader

On Periodization

Dickinson’s Misery: A Theory of Lyric Reading

*“Indian English Poetry.” The Encyclopedia of Victorian Literature. Edited by Dino Felluga, Pamela Gilbert and Linda Hughes. New York: Wiley-Blackwell, 2015. Pp. 775-782.

Gibson, Mary Ellis and Britta Martens. “Browning’s Bodies and the Body of Criticism.” Introduction. Robert Browning Bi-Centennial Issue. Victorian Poetry. 50.4  (2012) 415-29.

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“Getting Generic: An Introduction.” Special issue on transatlantic balladry and historical poetics, Nineteenth-Century Literature 71.2 (2016): 47-55.

“Album Verse and the Poetics of Scribal Circulation.” A History of Nineteenth-Century American Women’s Poetry. Ed. Jennifer Putzi and Alexandra Socarides. Cambridge: Cambridge University Press, 2016: 68-86.

The Poetry of Charles Brockden Brown. Vol. 7 of The Collected Writings of Charles Brockden Brown. Gen. eds. Philip Barnard and Mark Kamrath. Bucknell: Bucknell University Press. Forthcoming 2018.

The Social Lives of Poems in Nineteenth-Century America. Philadelphia: University of Pennsylvania Press, 2015.

American Elegy: The Poetry of Mourning from the Puritans to Whitman (University of Minnesota Press, 2007)

“Emma Lazarus and the Golem of Liberty,” American Literary History 18.1 (2006), 1-28; expanded version in The Traffic in Poems: Nineteenth-Century Poetry and Transatlantic Exchange, ed. Meredith McGill (Rutgers University Press, 2008), 97-122

“American Constitutional Elegy,” The Oxford Handbook of the Elegy, ed. Karen Weisman (Oxford, 2010), 224-237

History and the Prism of Art: Browning’s Poetic Experiments. Columbus: Ohio State University Press, 1987. 341 pp.