Gilbert and Sullivan: Gender, Genre, Parody (Columbia, 2011)

Dickinson Unbound: Paper, Process, Poetics (Oxford University Press, 2012).

“What Happens When We Don’t Read Ballads Closely Enough: The Cautionary Tale of the American Woman Poet and the Ballad. Nineteenth-Century Literature (Fall 2016).

“Introduction: Making History: Thinking about Nineteenth-Century American Women’s Poetry,” A History of Nineteenth-Century American Women’s Poetry. Eds. Jennifer Putzi and Alexandra Socarides. (Cambridge University Press, 2016).

A History of Nineteenth-Century American Women’s Poetry. Co-edited with Jennifer Putzi. (Cambridge University Press, 2016).

“The Poetess at Work.” Cambridge Companion to the Literature of the American Renaissance. Ed. Christopher Phillips. Cambridge University Press (forthcoming 2017).

“Collaborative Dickinson.” The New Dickinson. (Cambridge University Press, forthcoming 2018).

“Hemans’ Passion,” Studies in Romanticism 45 (Winter 2006), 543-62.

Electric Meters: British Physiological Poetics (Ohio University Press, 2009).

“Colonial and Imperial Writing.” Written with Mary Ellis Gibson, The Cambridge Companion to Victorian Women’s Writing, ed. Linda Peterson (Cambridge University Press, 2015).

text dating apps

“Sappho Recomposed: A Song Cycle by Granville and Helen Bantock.” In The Figure of Music in Nineteenth-Century British Poetry, ed. Phyllis Weliver (Ashgate Press, 2005): 230-58.

black gay dating apps

“Poetess.” In The New Princeton Encyclopedia of Poetry and Poetics, ed. Roland Greene et al (Princeton: Princeton University Press, 2012): 1051-54.

dating service

“ ‘What is Historical Poetics?’ ” Modern Language Quarterly 77.1 (Winter 2016): 13-40.

Ladies’ Greek: Victorian Translations of Tragedy

Victorian Sappho

Introduction, The Traffic in Poems: Nineteenth-Century Poetry and Transatlantic Exchange (New Brunswick: Rutgers University Press, 2008), 1-12.  

“Frances Ellen Watkins Harper and the Circuits of Abolitionist Poetry,” in Lara Langer Cohen and Jordan Stein, eds., Early African American Print Culture. (Philadelphia: University of Pennsylvania Press, 2012), 53-74.

“Picturing Rhythm” in Critical Rhythms (Fordham UP) edited by Jonathan Culler and Benjamin Glaser.

“Alice Meynell” in The Oxford Handbook of Victorian Poetry, (Oxford: Oxford UP, 2013) edited by Matthew Bevis, 579-590.

“Hemans and Home: Victorianism, Feminine ‘Internal Enemies,’ and the Domestication of National Identity.” PMLA 102 (March 1994).

“Hemans and Home: Victorianism, Feminine ‘Internal Enemies,’ and the Domestication of National Identity.” In Victorian Women Poets: A Critical Reader, ed. Angela Leighton. Oxford: Blackwell, 1996.

“Hemans and Her American Heirs.” In Women’s Poetry, Late Romantic to Late Victorian: Gender and Genre, 1830-1900, ed. Isobel Armstrong and Virginia Blain. St. Martins, 1999.  

“Receiving the Legend, Rethinking the Writer: Letitia Landon and the Poetess Tradition.” In Romanticism and Women Poets: Opening the Doors of Reception, edited by Harriet Kramer Linkin and Stephen C. Behrendt. University Press of Kentucky, 1999.

“Victorian Poetry and Patriotism.” In The Cambridge Companion to Victorian Poetry. Ed. Joseph Bristow. Cambridge, 2000.

“Anna Jameson, Englishness, and the ‘Triste Plaisir’ of Italy.” 2003 Special Issue, Forum for Modern Language Studies, ed. Alison Chapman and Jane Stabler.

“Between Treasuries and the Web: Compendious Victorian Poetry Anthologies in Transition.” Victorian Studies 47 (Summer 2005).

“New Criticism and New Classrooms: Teaching Felicia Hemans.” European Romantic Review 17 (2006).

“Bengal, Britain, France: The Locations and Translations of Toru Dutt.” Victorian Literature and Culture 34 (2006).

“Publishing and Reading ‘Our EBB’: Editorial Pedagogy, Contemporary Culture, and ‘The Runaway Slave at Pilgrim’s Point.’” Victorian Poetry 44 (2006).

“States of Exile.” In The Traffic in Poems: Nineteenth-Century Poetry and Transatlantic Exchange. Ed. Meredith McGill. Rutgers University Press, 2008.

Rudyard Kipling, Kim. A Longman Cultural Edition. Co-edited with Paula M. Krebs. Longman, 2011.

“The Locations and Dislocations of Toru and Aru Dutt.” In A History of Indian Poetry in English, ed. Rosinka Chaudhuri. Cambridge University Press, 2016.

Lost Saints: Silence, Gender, and Victorian Literary Canonization. University Press of Virginia, 1996.

The Political Poetess: Victorian Femininity, Race, and the Legacy of Separate Spheres. Princeton University Press, 2017.

“Elizabeth Barrett Browning’s Historiographical Poetics,” MLQ 77.1 (Spring 2016): 81-104

Victorian Poets and the Changing Bible (University of Virginia Press, 2011)

“Aurora Leigh, A Life-Drama, and Victorian Poetic Autobiography.” SEL: Studies in English Literature 53.4 (Autumn 2013): 829-851.

“The Poetess and Nineteenth-Century American Women Poets,”  (with Eliza Rickards) Poetess Archive Journal (April 2007), Vol. 1 No. 1

“The Story of Boon; or, Parables of the Poetess,” in ESQ: A Journal of the American Renaissance (special issue on nineteenth-century American poetry, December, 2008).

“The Poet as Poetess,” for The Cambridge Companion to Nineteenth-Century American Poetry, ed. Kerry Larson (Cambridge: Cambridge University Press, 2011)

“Longfellow in His Time,” Chapter 11 of the Cambridge History of American Poetry, ed. Alfred Bendixon and Stephen Burt (Cambridge: Cambridge University Press, 2015)

“American Victorian Poetry,” The Encyclopedia of Victorian Literature, ed. Felluga et al (London: Wiley Blackwell, 2015)

“The Function of Criticism at the Present Time,” Los Angeles Review of Books, April, 2015

“The Cadence of Consent: Francis Barton Gummere, Lyric Rhythm, and White Poetics,” forthcoming in Critical Rhythm, ed. Jonathan Culler and Ben Glaser (Fordham UP)

On Periodization

Dickinson’s Misery: A Theory of Lyric Reading

*“Transforming Late Romanticism, Transforming Home: Women Poets in Colonial India.” A History of Indian Poetry in India. Edited by Rosinka Chaudhuri. New York: Cambridge University Press, 2016, 64-81.

With Jason Rudy. “Colonial and Imperial Writing.” Cambridge Companion to Victorian Women’s Writing. Edited by Linda Peterson.  New York: Cambridge University Press, 2015, 189-205.

*“Indian English Poetry.” The Encyclopedia of Victorian Literature. Edited by Dino Felluga, Pamela Gilbert and Linda Hughes. New York: Wiley-Blackwell, 2015. Pp. 775-782.

*“The Garden and the Empire: Family Drama and Global Politics in Tennyson’s Poetry.” Poetry: Text and Context. Ed. Jharna Sanyal and Krishna Sen. Calcutta: UGC Academic Staff College, 2003, 159-74.

“Gender, Genre and Audience in Matthew Arnold’s Lyrics.”  In Gender and Discourse in Victorian Literature and Art. Ed. by Antony Harrison and Beverly Taylor. Chicago: Northern Illinois University Press, 1992, 30-48.

“The Criminal Body in Victorian Britain: The Case of The Ring and the Book.”  Browning Institute Studies 18 (1990): 67-88.

“One More Word on Browning’s ‘One Word More.’”  Studies in Browning and His Circle 12      (1984): 76-86.

“Alienating Language: A Poet’s Masque.” The Emily Dickinson Journal 23.1 (2014): 75-97.

“Album Verse and the Poetics of Scribal Circulation.” A History of Nineteenth-Century American Women’s Poetry. Ed. Jennifer Putzi and Alexandra Socarides. Cambridge: Cambridge University Press, 2016: 68-86.

“Audience Terminable and Interminable: Anne Gilchrist, Walt Whitman, and the Achievement of Disinhibited Reading,” Victorian Poetry 43.2 (2005), 249-61

American Elegy: The Poetry of Mourning from the Puritans to Whitman (University of Minnesota Press, 2007)

“Emma Lazarus and the Golem of Liberty,” American Literary History 18.1 (2006), 1-28; expanded version in The Traffic in Poems: Nineteenth-Century Poetry and Transatlantic Exchange, ed. Meredith McGill (Rutgers University Press, 2008), 97-122