“Pater’s Impressionism and the Form of Historical Revival,” in Knowing the Past: Victorian Literature and Culture ed. Suzy Anger (Cornell, 2001): 77-99.
“Moving Pictures: George Eliot and Melodrama,” in Compassion: The Culture and Politics of an Emotion, ed. Lauren Berlant (Routledge, 2004): 105-144.
“Parody and Poetic Tradition: Gilbert and Sullivan’s Patience,” Victorian Poetry vol. 46 no.4 (Winter 2008): 375-403.
“Walter Pater, Film Theorist,” in Victorian Aesthetic Conditions: Pater Across the Arts, ed. Elicia Clements and Lesley J. Higgins (Palgrave Macmillan, 2010): 181-205.
“The Gutter Effect in Eve Kosofsky Sedgwick’s A Dialogue on Love,” in Graphic Subjects, ed. Michael Chaney (Wisconsin, 2011): 195-99.
Gilbert and Sullivan: Gender, Genre, Parody (Columbia, 2011)
“Melodrama,” in The New Cambridge History of English Literature: The Victorian Period, ed. Kate Flint (Cambridge University Press, 2012): 193-219.
“Textual Time Zones and Figures of Relief in Marius the Epicurean,” JPRS: Journal of Pre-Raphaelite Studies 25 (Fall 2016): 53-72.
“Parodies of the Pre-Raphaelite Ballad Refrain,” Nineteenth-Century Literature vol. 71 no. 2 (September 2016): 227-55.
Dickinson Unbound: Paper, Process, Poetics (Oxford University Press, 2012).
“Rhythmic Intimacy, Spasmodic Epistemology,” Victorian Poetry 42 (Winter 2004; special issue on Spasmodic Poetry and Poetics), 451-72.
Electric Meters: British Physiological Poetics (Ohio University Press, 2009).
“Colonial and Imperial Writing.” Written with Mary Ellis Gibson, The Cambridge Companion to Victorian Women’s Writing, ed. Linda Peterson (Cambridge University Press, 2015).
“Victorian Meters.” In The Cambridge Companion to Victorian Poetry, ed. Joseph Bristow (Cambridge: Cambridge University Press, 2000): 89-113.
“Patmore’s Law, Meynell’s Rhythm.” In The Fin-de-Siecle Poem, ed. Joseph Bristow (Athens: Ohio State University Press, 2005): 261-84.
“Metrical Translation: Nineteenth-Century Homers and the Hexameter Mania.” In Nation, Language and the Ethics of Translation, ed. Sandra Bermann and Michael Wood. (Princeton: Princeton University Press, 2005): 229-56.
“Metrical Discipline: Algernon Swinburne on ‘The Flogging Block’.” In Algernon Charles Swinburne: Unofficial Laureate, ed. Catherine Maxwell and Stefano Evangelista (Manchester: Manchester University Press, 2013): 95-124.
“Sapphic Stanzas: How can we read the rhythm?” In Critical Rhythm, ed. Benjamin Glaser and Jonathan Culler (New York: Fordham University Press, 2018).
The Lyric Theory Reader
“What is a Ballad? Reading for Genre, Format, and Medium,” forthcoming in Nineteenth-Century Literature, 70:2 (September 2016).
“Gerard Manley Hopkins and the Stigma of Meter,” Victorian Studies 50.2, Winter 2008 (243-253).
“Transvictorian: Poetics, Translation, English” Blackwell’s Literature Compass edited by Reginia Gagnier (Exeter), 9.5 (380-386)
“Rupert Brooke’s Ambivalent Mourning, Ezra Pound’s Anticipatory Nostalgia” in Modernism and Nostalgia (New York: Palgrave Macmillan, 2013) edited by Tammy Clewall 183-197.
“Was there a Decadent Metre at the Fin de Siècle?” in Decadent Poetics (New York: Palgrave Macmillan, 2013), edited by Jason David Hall and Alex Murray, 46-64.
“Alice Meynell” in The Oxford Handbook of Victorian Poetry, (Oxford: Oxford UP, 2013) edited by Matthew Bevis, 579-590.
“Georgian Poetry and the “Genteel’ Tradition,” with Erin Kappeler, in A Companion to Modernist Poetry (London: Wiley-Blackwell), edited by David Chinitz and Gail Macdonald(University of Southampton) with Erin Kappeler. 197-208.
Entries on “Robert Bridges” (3,500 words) “Prosody” (3,500 words) in The Encyclopedia of Victorian Literature (Wiley-Blackwell), edited by Dino F. Felluga, Pamela K. Gilbert, and Linda K. Hughes.
“’Imperfectly Civilized’: Ballads, Nations, and Histories of Form” ELH, 82.2, 345-363.
The Rise and Fall of Meter: Poetry and English National Culture, 1880-1920
“Receiving the Legend, Rethinking the Writer: Letitia Landon and the Poetess Tradition.” In Romanticism and Women Poets: Opening the Doors of Reception, edited by Harriet Kramer Linkin and Stephen C. Behrendt. University Press of Kentucky, 1999.
The Political Poetess: Victorian Femininity, Race, and the Legacy of Separate Spheres. Princeton University Press, 2017.
“Trebled Beauty: William Morris’s Terza Rima,” Victorian Studies 53.3 (Spring 2011): 506-517
“Elizabeth Barrett Browning’s Historiographical Poetics,” MLQ 77.1 (Spring 2016): 81-104
“Victorian Pearl: Tennysonian Elegy and the Return of a Medieval Poem,” Victoriographies 6.3 (Fall 2016): 238-255
“Tirra-Lirrical Ballads: Source Hunting with the Lady of Shalott,” Victorian Poetry 54.4 (Winter 2016): 439-454
Victorian Poets and the Changing Bible (University of Virginia Press, 2011)
“Victorian Poetry and Form.” Victorian Literature: Criticism and Debates, eds. Lee Behlman and Anne Longmuir. Routledge, 2015: 37-46.
“Constructing Walt Whitman: Literary History and Histories of Rhythm.” Critical Rhythm. Eds. Jonathan Culler and Ben Glaser. Forthcoming from Fordham University Press.
“The Georgian Poets and the Genteel Tradition” (with Meredith Martin). A Companion to Modernist Poetry. Ed. David E. Chinitz and Gail McDonald. Chichester: Wiley-Blackwell, 2014. 199-208.
“Lyrical Studies” (with Yopie Prins), Victorian Literature and Culture 27:2 (Fall 1999). 521-530.
“Longfellow’s Tradition; or, Picture-Writing a Nation,” Modern Language Quarterly 59:4 (December 1998). 471-496.
“Poetry and Experience,” Raritan (Fall 2000), Vol. XX, Number 2., 126-135.
“Dickinson Undone,” Raritan (Spring, 2005), Vol. XXIV, Number 4, 128-148.
“The Poetess and Nineteenth-Century American Women Poets,” (with Eliza Rickards) Poetess Archive Journal (April 2007), Vol. 1 No. 1
“Bryant’s Romanticism,” in The Traffic in Poems: Nineteenth-Century Trans-Atlantic Poetry, ed. Meredith McGill (Rutgers University Press, 2008).
“The Story of Boon; or, Parables of the Poetess,” in ESQ: A Journal of the American Renaissance (special issue on nineteenth-century American poetry, December, 2008).
“Who Reads Poetry?” in PMLA, vol. 123, no. 2, January, 2008, 181-187.
“Lyric,” entry for the new edition of The Princeton Encyclopedia of Poetry and Poetics. Roland Greene and Stephen Cushman, eds. (Princeton University Press, 2012).
“Longfellow in His Time,” Chapter 11 of the Cambridge History of American Poetry, ed. Alfred Bendixon and Stephen Burt (Cambridge: Cambridge University Press, 2015)
“The Function of Criticism at the Present Time,” Los Angeles Review of Books, April, 2015
“The Cadence of Consent: Francis Barton Gummere, Lyric Rhythm, and White Poetics,” forthcoming in Critical Rhythm, ed. Jonathan Culler and Ben Glaser (Fordham UP)
“American Romanticism, Again,” Studies in Romanticism 57.1 (September 2016)
Dickinson’s Misery: A Theory of Lyric Reading
*“Indian English Poetry.” The Encyclopedia of Victorian Literature. Edited by Dino Felluga, Pamela Gilbert and Linda Hughes. New York: Wiley-Blackwell, 2015. Pp. 775-782.
*“The Garden and the Empire: Family Drama and Global Politics in Tennyson’s Poetry.” Poetry: Text and Context. Ed. Jharna Sanyal and Krishna Sen. Calcutta: UGC Academic Staff College, 2003, 159-74.
“Gender, Genre and Audience in Matthew Arnold’s Lyrics.” In Gender and Discourse in Victorian Literature and Art. Ed. by Antony Harrison and Beverly Taylor. Chicago: Northern Illinois University Press, 1992, 30-48.
“The Criminal Body in Victorian Britain: The Case of The Ring and the Book.” Browning Institute Studies 18 (1990): 67-88.
“The Photographer’s Art and the Construction of History (Richard Howard).” Parnassus 13 (1986): 220-229.
“Approaches to Character in Browning and Tennyson: Two Examples of Metrical Style.” Language and Style (1982): 34-51.
“Introduction” and guest editor, “New Sitings and Soundings for Transnational Poetics,” J19: The Journal for 19th-Century Americanists 1.1 (2013)
Epic Reinvented: Ezra Pound and the Victorians. Ithaca: Cornell University Press, 1995. 240 pp.
History and the Prism of Art: Browning’s Poetic Experiments. Columbus: Ohio State University Press, 1987. 341 pp.